John Harbison
CONCERTO FOR BASS VIOL AND ORCHESTRA Full Score Soloist tuning version in D
From the Rental Library of G. Schirmer, Inc. Date of printing:___________________
Associated Music Publishers, Inc. New York, NY
John Harbison
CONCERTO FOR BASS VIOL AND ORCHESTRA Full Score Soloist tuning version in D commissioned through the dedication and financial assistance of the family of double bassist Hunter Capoccioni in memory of his father, David Capoccioni, and of Michael Hammond, former dean of the Shepherd School of Music at Rice University, by the International Society of Bassists, friends of David Capoccioni, and (alphabetically) Atlanta Symphony Orchestra Boston Symphony Orchestra Cincinnati Symphony Orchestra Florida Orchestra Greenville Symphony Orchestra Houston Symphony Orchestra Knoxville Symphony Orchestra Los Angeles Philharmonic Minnesota Orchestra New Mexico Symphony Orchestra Philadelphia Orchestra San Diego Symphony Orchestra Seattle Symphony Orchestra Toronto Symphony Orchestra University of Iowa Symphony Orchestra
Associated Music Publishers, Inc. New York, NY
Instrumentation 2 Flutes (2nd doubling Piccolo and Alto Flute) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B= (2nd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 2 Horns in F 2 Trumpets in C Timpani Percussion (1 player) Vibraphone, Marimba, Snare Drum, Suspended Cymbal, Triangle Temple Blocks (5 graduated), Glass Chimes, Flexatone
Piano Solo Contrabass Strings (maximum players 12/12/8/8/6)
duration circa 19 minutes
Program Note The first movement, Lamento, begins with an introduction which reminds the listener that the bass viol is the oldest instrument in the modern orchestra, grand survivor from the medieval viol family. Near the end of the introduction, the latter two movements are foreshadowed. The Lamento begins under emotional duress, gradually moving to a more elegiac tone which may mask a more dangerous state of mind. A closing section mimes sonic images of farewell. The second movement is a Cavatina, which my Italian dictionary defines as “a sustained Air. ” Having played in various chamber music pieces bearing this title, I believe cavatina has come to mean a song led throughout by a principal player, which eventually arrives at an unpredicted dramatic destination. Rondo: return. In the classical tradition it refers to the return of themes. In this piece I am playing with the return of a very short motto, which becomes increasingly rough and forthright. My main experience of the bass viol is traceable to conducting over fifty Bach cantatas and playing in many jazz groups. In both situations my colleague played two roles: ensemble catalyst, and soloist. I’ve drawn on these associations often, not just in this piece. – John Harbison
CONCERTO FOR BASS VIOL AND ORCHESTRA Introduzione Tempo giusto, commodo
I. Lamento = 108
John Harbison ritardando
1 Flute
Flute
(Piccolo) 2 (Alto Flute in G)
1 Oboe
Oboe
(English Horn)
2
1
Clarinet in B
Clarinet
(Bass Clarinet)
2
1 Bassoon
Bassoon (Contrabassoon) 2
Horn in F
1 2
Trumpet in C
1 2
Timpani
Vibraphone
Percussion (Single Player)
Piano
senza vibrato Solo Contrabass
non legato
Tempo giusto, commodo
= 108
ritardando
pizz. I Violin
pizz. II
pizz. Viola
pizz. Violoncello
non vib. 2 soli, arco
Contrabass
VERSION IN D
non legato gli altri, div., pizz.
Copyright Š 2006 by Associated Music Publishers (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 a tempo
6
rit. molto
a tempo, misterioso
1
Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Vib.
Perc.
Tamtam
Pedal
8va
Pn.
Solo Cb.
a tempo, misterioso a tempo
rit. molto div. a3, arco
I
arco
Vn. II
arco Va.
div. a2, arco Vc.
2 soli unis., arco
Cb.
gli altri, unis., pizz.
arco
3 rit.
12 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
(Vib.)
Pedal (Tam.)
Perc.
Pedal
Pn.
Solo Cb.
unis., pizz.
rit.
I Vn. II
Va.
unis., pizz. Vc.
2 soli, div.
non vib. Cb.
div., pizz.
4 a tempo
rit.
a tempo
19 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Vib.
Perc.
Tam.
8va
Pn.
8ba
Solo Cb.
a tempo
rit.
a tempo arco
I
div. a3, arco Vn.
pizz. II
div. a3, arco
pizz. Va.
arco Vc.
tutti, div., non vib.
Cb.
gli altri, unis.
div., arco, non vib.
5 Animato
25
= 120
rit.
1 Fl. 2
1 Ob.
To English Horn 2
1 Cl. in B
to Bass Clarinet 2
1 Bn. 2
Hn. in F
1 2 3
3
Tpt. in C
3
3
3
3
1 2 3
3
3
3
3
3
Timp.
(Vib.)
Perc.
(Tam.)
Pn.
ord. Solo Cb.
Animato
= 120
rit.
unis. div. I
3
3
3
3
3
3
3
3
unis.
Vn.
II
3
3 3
div. a2
3
unis.
Va. 3
div.
3
3
3
3
3
3
3
3
unis.
Vc. 3
Cb.
3
3
6 31 Pi첫 deliberato
= 96
Poco agitato
= 108
rit.
Deliberato
= 96
Agitato
= 108 rit.
1 Fl.
to Piccolo 2
Ob.
1
E.H.
Cl. in B
1
Bass Clarinet Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
3
3
Solo Cb. 3
Pi첫 deliberato I Vn. II
Va.
Vc.
Cb.
= 96
Poco agitato
3
3
= 108
rit.
Deliberato
= 96
Agitato
3
= 108 rit.
3
3
7 35 Tempo I
rit molto
subito a tempo
Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Marimba
secco
Perc.
secco
Pn.
pizz. Solo Cb.
Tempo I I Vn. II
Va.
Vc.
unis., ord. Cb.
rit molto
subito a tempo
8 accelerando poco a poco
41 Picc.
solo Fl.
1
solo 3 Ob.
1
crudo E.H.
solo Cl. in B
1
crudo
solo
Bs. Cl.
solo 1 Bn.
to Contrabassoon 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Mar.
Perc.
Pn.
Solo Cb.
accelerando poco a poco I Vn. II
div. Va.
Vc.
Cb.
9 Piccolo, solo
45
pi첫 mosso
= 132
pi첫 mosso
= 132
(accel.)
Picc.
solo Fl.
1
Ob.
1
E.H.
Cl. in B
1
Bs. Cl.
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Mar.
Perc.
Pn.
Solo Cb.
(accel.) I Vn. II
Va.
Vc.
Cb.
10 49
G.P. Lento doloroso
= 80
to Alto Flute
Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
Bs. Cl.
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
arco Solo Cb.
G.P. Lento doloroso
= 80
I Vn. II
Va.
Vc.
2 soli, pizz. Cb.
sonoro
11 55 Fl.
1
Al. Fl.
Ob.
1
E.H.
Cl. in B
1
Bs. Cl.
solo Bn.
1
espr. Contrabassoon, solo Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
dolente
I Vn. II
Va.
Vc.
Cb.
12 61 Fl.
1
Al. Fl.
Ob.
1
E.H.
solo Cl. in B
1
espr. solo Bs. Cl.
Bn.
1
to Bassoon Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
lamentando
I Vn. II
Va.
Vc.
Cb.
13 66 Fl.
1
Al. Fl.
Ob.
1
E.H.
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
1 solo I Vn. II
Va.
Vc.
Cb.
14 71 Fl.
calmando
cedendo
calmando
cedendo
1
Al. Fl.
Ob.
1
English Horn, solo E.H.
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
ululando
I Vn. II
Va.
Vc.
tutti, pizz. Cb.
15 76 Tempo, elegiaco Fl.
1
Alto Flute Al. Fl.
Ob.
1
E.H.
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
secchissimo
Solo Cb.
Tempo, elegiaco I Vn. II
Va.
pizz. Vc.
div. Cb.
unis.
div.
16 80 Fl.
allargando
1
Al. Fl.
Ob.
1
E.H.
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
allargando I Vn. II
Va.
Vc.
unis. Cb.
17 84 Fl.
a tempo
ritardando
1
to Flute Al. Fl.
Ob.
1
E.H.
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
flautando Solo Cb.
a tempo
ritardando
tutti I Vn. II
div. Va.
arco Vc.
arco Cb.
18 quasi a tempo
=76
89 1 Fl.
Flute 2
Ob.
1
E.H.
Cl. in B
1
Bs. Cl.
1 Bn.
Bassoon 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
quasi a tempo div. I Vn.
div. II
(div.) Va.
div. Vc.
div. Cb.
=76
19 95
rit.
1 Fl. 2
Ob.
1
E.H.
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Triangle
Pn.
Solo Cb.
rit. I
Vn. II
Va.
Vc.
Cb.
20
Coda 101 Allegro furtivo
= 126
1 Fl. 2
Ob.
1
to Oboe E.H.
Cl. in B
1
to Clarinet in B Bs. Cl.
1 Bn. 2
2. take straight mute Hn. in F
1 2
Tpt. in C
1 2
take straight mute
Timp.
Perc.
Pn.
Solo Cb.
spiccato
Allegro furtivo I Vn. II
Va.
Vc.
2 soli, div. Cb.
spiccato
= 126
21 104 1 Fl. 2
1 Ob. 2
1 Cl. in B
Clarinet in B 2
1 Bn. 2
1. Hn. in F
1 2
Tpt. in C
1 2
Timp.
Snare Drum, with brushes
Perc.
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
22 107 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1
Bn. 2
(1.) Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Temple Blocks, with fingernails
(S.D.)
Pn.
5
Solo Cb.
con anima
6
5
I Vn. II
Va.
unis. O
Vc.
ma evidente la metĂ Cb.
la metĂ , ma evidente
5
3
23 110 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
(T.Blks.)
Pn.
5
Solo Cb. 5
unis. I Vn.
unis. II
Va.
Vc.
3
Cb.
24 114 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1. Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
S.D., with brushes
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
(la metà) (div.) Cb.
(la metà)
25 117 1 Fl. 2
1 Ob. 2
1 Cl. in B
to Bass Clarinet 2
1 Bn. 2
(1.) Hn. in F
1 2
Tpt. in C
1 2
Timp.
T.Blks., with fingernails
Perc.
Pn.
Solo Cb. 5
con anima
I Vn. II
Va.
Vc.
Cb.
5
26 121 1 Fl. 2
1 Ob.
Oboe 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
2., with straight mute Hn. in F
1 2
Tpt. in C
1 2
with straight mute
Timp.
(T.Blks.)
Perc.
Pn.
Solo Cb. 5
I Vn. II
Va.
Vc.
Cb.
5
5
5
5
27 125 1 Fl. 2
1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
S.D., with brushes
Pn.
Solo Cb.
con calore
I Vn. II
Va.
Vc.
(2 soli, div.) Cb.
28 129 1 Fl. 2
1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
remove mute
Timp.
T.Blks., with fingernails
Perc.
Pn.
5
Solo Cb.
I Vn. II
Va.
Vc. 3
Cb.
29 134 1 Fl. 2
1 Ob. 2
Cl. in B
1
Bass Clarinet Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
(T.Blks.)
S.D., with brushes
Pn.
Solo Cb. 5
I Vn. II
Va.
Vc.
Cb.
5
6
30 138 1 Fl. 2
solo 1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
S.D.
staccatissimo
Pn.
6
Solo Cb. 3
I Vn. II
Va.
Vc.
Cb.
leggiero, spiccato
31 141 1 Fl. 2
1
3
3
3
3
3
3
Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
(S.D.)
3
3
Pn.
3
Solo Cb. 3
I Vn. II
Va.
Vc.
Cb.
3
3
32 144 1 Fl. 2
1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
(S.D.)
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
2 soli, div. Cb.
spiccato
33 147 1
Fl. 2
1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
8va
I
Vn. II
Va.
Vc.
Cb.
34
II. Cavatina Moderato e semplice
= 66
1 Fl. 2
1 Ob. 2
1 Cl. in B
to Clarinet in B 2
solo 1 Bn.
poco marcato 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
3
3
Solo Cb. 3
intimo 3
Moderato e semplice
= 66
I Vn. II
Va.
Vc.
1 solo
solo sempre
Cb.
poco accentato, accompagnato gli altri
35 4 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn.
to Contrabassoon 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb. 3
3
I Vn. II
Va.
1 solo
solo sempre
Vc.
gli altri Cb.
36 7 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
1., solo Hn. in F
1.
1 2
2. Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
pi첫 caloroso, pi첫 legato
I Vn. II
Va.
Vc.
Cb.
37 9
solo
1 Fl. 2
solo 1 5
Ob.
3
2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
(sola) sola Va.
le altre Vc.
Cb.
38 11 1 Fl. 2
1 3
Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
1., solo, open
1.
2., open
Timp.
Perc.
Pn.
Solo Cb.
drammatico
I Vn. II
Va.
Vc.
Cb.
39 13 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
marcato
I Vn. II
Va.
Vc.
Cb.
40 15 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
41 16 1 Fl. 2
1 Ob. 2
1 Cl. in B
Clarinet in B 2
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
non legato
I Vn. II
tutte Va.
tutti Vc.
Cb.
42 18 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
43 19 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
non legato
I Vn. II
Va.
Vc.
Cb.
44 20 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I
Vn. II
Va.
Vc.
Cb.
45 21 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
non legato
I Vn. II
Va.
Vc.
Cb.
46 22 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
volante
I Vn. II
Va.
Vc.
Cb.
47 23 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
48 24 1
Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Contrabassoon Cbn.
a2 Hn. in F
1 2
Tpt. in C
1 2
a2
Timp.
Perc.
8va
Pn.
Solo Cb.
8va
I
Vn. II
Va.
Vc.
Cb.
49 26 1
legato Fl. 2
legato 1
legato
Ob. 2
legato
1
legato
Cl. in B 2
legato Bn.
1
Cbn.
(a2) Hn. in F
1 2
Tpt. in C
1 2
a2
Timp.
Perc.
Suspended Cymbal
Pn.
Solo Cb.
I
legato Vn. II
legato
Va.
legato Vc.
Cb.
50 28 1
meno
molto cresc.
meno
molto cresc.
meno
molto cresc.
meno
molto cresc.
meno
molto cresc.
meno
molto cresc.
meno
molto cresc.
meno
molto cresc.
Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
(a2) Hn. in F
1 2
meno
cresc. a2
Tpt. in C
1 2
meno
cresc.
Timp.
Perc.
Sus. Cym.
Pn.
meno
cresc.
meno
molto cresc.
meno
molto cresc.
meno
molto cresc.
meno
molto cresc.
meno
molto cresc.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
51 30 1
Fl. 2
1 3
3
3
3
3
3
3
3
Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
3
(a2) Hn. in F
3
3
1 2
Tpt. in C
3
3
(a2)
3
3
1 2 3
3
3
Timp.
cresc.
Perc.
Tamtam
molto
Pn.
Solo Cb.
I 3
3
3
3
Vn. II
Va.
div. Vc.
div. Cb.
3
3
3
52 32 1
Fl. 2
1 3
3
3
3
3
3
3
Ob. 2 3
1 Cl. in B 2
Bn.
1
Cbn.
3
Hn. in F
3
1 2 3
3
3 3
Tpt. in C
1 2 3
3
Timp.
Perc.
(Tam.)
Pn.
Solo Cb.
I 3
3
3
3
Vn. II
Va.
3
Vc.
Cb.
3 3
3
53 33 1
Fl. 2
1 3
3
3
3
3
3
3
3
3
3
3
Ob. 2 3
1 Cl. in B 2
Bn.
1
Cbn.
3
3
Hn. in F
3
1 2 3
3
3
Tpt. in C
1 2 3
3
3
3
3
Timp.
Perc.
(Tam.)
Pn.
Solo Cb.
I 3
3
3
3
3
3
Vn. II
Va.
3 3
Vc.
Cb.
3
3
3
54 34 1
Fl. 2
1 3
Ob.
3
3
3
3
3
3
2 3
1 Cl. in B 2
Bn.
1
to Bassoon Cbn.
3
Hn. in F
3
1 2 3
3
Tpt. in C
3
3
3
3
3
3
3
3
1 2 3
Timp.
Perc.
(Tam.)
Pn.
Solo Cb.
3
I Vn. II
Va.
3
Vc.
Cb.
3
3
3
3
3
55 35
Sospeso
solo
1 Fl. 2
solo 1 Ob. 2
solo 1 Cl. in B 2
solo 1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Vibraphone
lontano Pedal
Perc.
Pedal
lontano
Pn.
Solo Cb.
delicato
Sospeso I Vn. II
Va.
Vc.
Cb.
56 41 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
(Vib.)
(Pedal)
Perc.
Pedal
Pedal
Pn.
Solo Cb.
I Vn. II
Va.
unis. Vc.
Cb.
57 47 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 brusco Bassoon
Bn. 2
brusco
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
S.D., sticks
Pn.
armonici a piacere
Solo Cb.
I Vn. II
Va.
Vc.
div., pizz. Cb.
brusco
58 rit.
53 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Mar.
Perc.
Pedal
(S.D.)
Pn.
Solo Cb.
rit. I Vn. II
Va.
Vc.
unis., arco (sounds 8ba) Cb.
Vib.
59
III. Rondo Allegro commodo
= 92
1 Fl. 2
1 Ob. 2
1 Cl. in B
to Bass Clarinet 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Mar. 5 5
Perc.
S.D.
Pn. 5
Solo Cb.
Allegro commodo
= 92
non div., pizz.
1/2 pizz., 1/2 arco
I 5
Vn.
1/2 pizz., 1/2 arco col legno II
1/2 pizz., 1/2 arco non div., pizz. col legno Va.
tutti arco ordinario 1/2 pizz., 1/2 arco col legno Vc.
1/2 pizz., 1/2 arco col legno 3 Cb.
tutti arco ordinario
60 6 1 Fl. 2
1 Ob. 2
Cl. in B
1
Bass Clarinet Bs. Cl.
leggiero, non legato 1 leggiero, non legato
Bn. 2
leggiero, non legato
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
leggiero, non legato
61 10 1 Fl. 2
1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
tutti, arco I
leggiero, non legato tutti, arco
Vn. II
leggiero, non legato tutti, arco ordinario Va.
leggiero, non legato Vc.
Cb.
62 14 1 Fl. 2
1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
div., pizz. I Vn.
pizz. II
pizz. Va.
pizz. Vc.
pizz. Cb.
63 18 1 Fl. 2
1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
Va.
div. Vc.
Cb.
64 21 1
staccatissimo
Fl. 2
staccatissimo 1
staccatiss.
Ob. 2
staccatiss. Cl. in B
1
staccatiss. Bs. Cl.
staccatiss. 1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Vib.
Mar.
secco
Perc.
Pn.
staccatiss.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
65 25 1 Fl. 2
1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
a2 Hn. in F
1 2
Tpt. in C
1 2
Timp.
Vib.
Perc.
Pn.
Solo Cb.
unis., arco I
staccatissimo Vn.
arco II
staccatissimo arco Va.
staccatissimo arco Vc.
arco Cb.
div.
unis.
66 29 1
Fl. 2
1
Ob. 2
Cl. in B
1
to Clarinet in B Bs. Cl.
1 Bn. 2
(a2) Hn. in F
1 2
Tpt. in C
1 2
a2
Timp.
Vib.
Perc.
Pn.
Solo Cb.
I
Vn. II
Va.
Vc.
Cb.
67 32 1
staccatissimo Fl.
2
staccatissimo
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
(a2) Hn. in F
1 2
(a2) Tpt. in C
1 2
Timp.
(Vib.)
secco
Perc.
Pn.
Solo Cb.
1 solo Vn. I solo
Vn. I gli altri
leggiero, non legato Vn. II
pizz.
leggiero, non legato arco
Va.
leggiero, non legato pizz. Vc.
pizz. Cb.
1 solo, arco
68 36 1 Fl. 2
1 Ob. 2
1
staccatissimo Clarinet in B
Cl. in B 2
staccatissimo 1 Bn. 2
1. Hn. in F
1 2
Tpt. in C
1 2
2.
Timp.
Mar.
Perc.
Pn.
Solo Cb.
Vn. I solo
Vn. I gli altri
Vn. II
Va.
Vc.
Cb.
69 39 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
a2 Hn. in F
1 2
Tpt. in C
1 2
1.
Timp.
Perc.
Sus. Cym.
S.D.
Sus. Cym.
Pn.
Solo Cb.
Vn. I solo
Vn. I gli altri
Vn. II
Va.
tutti Vc.
gli altri arco Cb.
S.D.
70 42 1 Fl.
to Piccolo 2
1 Ob. 2
1 Cl. in B
to Bass Clarinet 2
1
Bn. 2
(a2) Hn. in F
1 2
Tpt. in C
1 2
(a2)
Timp.
Mar.
Perc.
Sus. Cym.
S.D.
Pn.
8ba
Solo Cb.
calmo
tutti I Vn. II
Va.
Vc.
Cb.
71 45 Picc.
Fl.
1
1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
(Mar.)
Perc.
Pn.
8ba
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
72 49 Picc.
Fl.
1
1 Ob. 2
Cl. in B
1
Bass Clarinet Bs. Cl.
1 Bn.
to Contrabassoon 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
8ba
Solo Cb.
I Vn. II
1 sola Va.
1 solo Vc.
Cb.
73 52 Picc.
Fl.
1
1 Ob. 2
Cl. in B
1
Bs. Cl.
Bn.
1
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
74 55
Piccolo
3
Picc. 6 6
6
Fl.
1
6 6 6
1 6
Ob. 2
Cl. in B
1
Bs. Cl.
Bn.
1 Contrabassoon
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Glass Chimes
Pn.
Solo Cb.
stacc., energico
I Vn. II
Va.
Vc.
Cb.
75 58 3
Picc.
6
3
6
6 6
6
6
Fl.
1
6 3
6
6 6
6
1 6
Ob.
6 6
6
2
Cl. in B
1
Bs. Cl.
Bn.
1 to Bassoon
Cbn.
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Glass Chimes
8va
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
76 61 Picc.
Fl.
1
1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
tutte Va.
tutti Vc.
Cb.
77 65 Picc.
Fl.
1
1 Ob. 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
78 69 Picc.
Fl.
1
1 Ob. 2
Cl. in B
1
to Clarinet in B Bs. Cl.
1 Bn. Bassoon 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
B.D.
Pn.
Solo Cb.
I
Vn. II
Va.
Vc.
Cb.
79 73 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
80 76 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
take straight mute Hn. in F
1 2
Tpt. in C
1 2
take straight mute
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
81 79 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B
Clarinet in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
pizz.
I
pizz.
Vn. II
div., pizz. Va.
pizz. Vc.
pizz. Cb.
82 82 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I
Vn. II
unis. Va.
Vc.
Cb.
83 85
to Flute
Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
with straight mute Hn. in F
1 2
with straight mute Tpt. in C
1 2
Timp.
Perc.
S.D.
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
Cb.
84 88 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
2. remove mute Hn. in F
1 2
Tpt. in C
1 2
remove mute
Timp.
Perc.
(S.D.)
Pn.
Solo Cb.
martellato
I Vn. II
Va.
Vc.
(pizz.) Cb.
85 91 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
arco, sul ponticello I Vn.
arco, sul ponticello II
arco, sul ponticello
div.
Va.
arco, sul ponticello Vc.
Cb.
unis.
86 94 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1. (with straight mute) Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn.
div. II
div. Va.
Vc.
Cb.
unis.
87 97 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1. remove mute 2. Hn. in F
1 2
Tpt. in C
1 2
2. open
Timp.
Perc.
Pn.
Solo Cb.
ruvido
I Vn. II
Va.
Vc.
Cb.
88 100 1
Fl.
Flute 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
open Hn. in F
1 2
Tpt. in C
1 2
open
Timp.
Flexatone
Perc.
Pn.
Solo Cb.
div., ord. I Vn.
ord. II
div., ord. Va.
ord. Vc.
arco Cb.
89 103 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
(Flex.)
Perc.
Pn.
pizz. Solo Cb.
I Vn. II
Va.
Vc.
Cb.
90 rit. 106 1
sub. Fl. 2
sub. 1 Ob. 2
1
sub.
Cl. in B 2
sub.
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
(Flex.)
Perc.
Pn.
3
Solo Cb. 3
disinvolto
rit. I Vn. II
Va.
Vc.
div. Cb.
unis.
3
91 Poco meno mosso, brillante
= 84
110 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
stacc.
Pn.
Solo Cb.
meno
Poco meno mosso, brillante
= 84
unis. I Vn.
unis. II
unis. Va.
Vc.
pizz. Cb.
meno
92 112 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
Solo Cb.
I Vn. II
Va.
Vc.
(pizz.) Cb.
93 114 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Perc.
Pn.
arco Solo Cb.
I Vn. II
Va.
Vc.
Cb.
94 116 1
Fl.
2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
Hn. in F
1 2
Tpt. in C
1 2
Timp.
Mar.
Perc.
Pn.
8va ad lib.
Solo Cb.
unis.
div.
div. I Vn.
div. II
div.
unis.
div.
Va.
div.
unis.
Vc.
div., arco Cb.
unis.
div.